变异的古典主义情结混合了现实和梦境，把自己搁置在现实与非现实的边缘，去感受物质存在与精神 潜意识之间的联系，碰撞，与沉浮。把人的思想的非理性方面的力量通过梦境或非现实境遇充分释放。
    Variation of the classical complex mixture of reality and dream, put himself on the edge of reality and not reality, to feel the connection between the material existence and spirit of the subconscious, collision, and the ups and downs.The people thought the irrational aspects of strength fully released by a dream or a reality.

    

作品：拘禁的梦魇 尺寸：60X60cm 材质：布面油画

    
    《拘禁的梦魇》同做梦一样，梦魇也是一种生理现象。当人做梦突然惊醒时，大脑的一部分神经中枢已经醒了，但是支配肌肉的神经中枢还未完全醒来，所以虽然有不舒服的感觉却动弹不得。这种生理现象之中的无意识或梦境潜意识构建的图像或许隐藏着人类最大的欲望。
    “The detention of nightmare”like a dream, a nightmare is also a kind of physiological phenomena.When people have a dream woke with a start, part of the brain nerve center already awake, but dominate muscle nerve centre is not totally wake up, so although have uncomfortable feeling but could not move.This physiological phenomenon of images of the unconscious or subconscious construct dreams may hide humanity’s greatest desire.

    

作品：制造者 尺寸：60X60 cm材质：布面油画

    

作品：执法者尺寸：80x65cm 材质：布面油画

    

作品：冥思者 尺寸：50X60cm材质：布面油画

    
    《制造者》 《执法者》 《冥思者》现实制造了梦境 还是梦境占据了现实。工具方法论主导下的攻防战。《古典主义美学方法论》情结化的一个考古学的立现场，古典主义美学主导下的思维观察方法。
    “Manufacturer”, “law enforcement”, “thousand” made the dream reality Occupy the reality or dream.Tool which is dominated by the methodology of defensive side.“The method of classical aesthetics” complex of an archaeological site, which is dominated by the classical aesthetic observation method of thinking.

    

作品：与草木共朽 尺寸：150x130cm材质：布面油画

    
    《与草木共朽》一头熊在食人类的文明枯朽的雕像的蜂蜜。枯朽的雕像代表了我理解中的异化的古典主义情结 这种变异的情结更需要一种强大的力量去剖析。
    “With vegetation deterioration” a bear in the old statue of honey eat human civilization.Old statue on behalf of my understanding of the alienation of classical complex variable complex need a more powerful force to analyze.

    

作品：古典美学与方法论 尺寸180x130cm 材质：布面油画

    《古典主义美学方法论》情结化的一个考古学的立现场，古典主义美学主导下的思维观察方法。
    “The method of classical aesthetics” complex of an archaeological site, which is dominated by the classical aesthetic observation method of thinking.
    

    

作品：马 尺寸：30X40com 材质：布面油画

    

作品：制造者 尺寸：40X40cm 材质布面油画

    

    
李金阳 JinYang Li
1988年出生于河北唐山
2008年至2012年就读于广州美术学院油画系第三工作室
2013年至今在广州美术学院攻读硕士学位 师从车建全教
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2014年 以梦为马——青年艺术家16面体 广东岭南美术馆 广州
    
    
    
李金阳 JinYang Li
Born in 1988 in tangshan city, hebei province
From 2008 to 2012 at the guangzhou academy of fine arts oil painting department of the third studio
Since 2013 in guangzhou academy of fine arts study for a master’s degree From CheJianQuan teach
Group at:
In 2014, In the dream for the horse – 16 young artists Guangdong lingnan art gallery guangzhou